tag:blogger.com,1999:blog-899946063697780510.post8614598580474572081..comments2024-03-09T04:06:47.712-05:00Comments on Abstract Comics: The Blog: Formal rhythm in comics: the case of the B&V limerickAndrei Molotiuhttp://www.blogger.com/profile/17400106944822618816noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-899946063697780510.post-27078574060254116462013-02-11T22:30:44.544-05:002013-02-11T22:30:44.544-05:00I'm glad you like it! When you say "tran...I'm glad you like it! When you say "transferral of rhythm," do you mean from poetry (or literature) to comics? There are also comics that, to me, function almost like music--I mean, that's a general truth, but some have more specific clear musical forms. I'll have to write one one of those some day. As long as we're drawing such comparisons, I realized a while ago that Raymond Chandler's "The Long Goodbye" is in pretty correct (first-movement) sonata form. I don't know if that's intentional, or just refers to a kind of logical way of arranging a formal narrative...Andrei Molotiuhttps://www.blogger.com/profile/17400106944822618816noreply@blogger.comtag:blogger.com,1999:blog-899946063697780510.post-38055545020066148392013-02-11T22:23:14.029-05:002013-02-11T22:23:14.029-05:00That is absolutely wonderful. I've wondered a...That is absolutely wonderful. I've wondered about the transferal of rhythm in my own studies, mostly when I've looked at graphic adaptations of Shakespeare's work. Thanks for this. Fascinating.Tom Millerhttps://www.blogger.com/profile/16872052228898599872noreply@blogger.com