I don't mind the green line at all--maybe, a la Duchamp with the Large Glass, you should just decree it's part of the work now.
I like the piece, though I'm not sure I can see the sequentiality. I think it's maybe because of the mixed media--I get more of an overall collage effect that makes me want to take in the whole piece at once. Or maybe it's the total change from panel to panel... But as a piece of art, is really cool.
Thanks - I'm not sure it really is sequential. It's maybe comics because it uses comics' iconography or because of the mixture of text and imagery. I've been liking Spigelman's co-mix idea lately - it feels much more inclusive. I'm wondering if sequentiality is necessary for something to be comics (not "sequential art," but "comics."). But, then, maybe it's not "non-represenational." I don't know.
Well, it's very Rauschenbergian. So that if there is representation, it's basically at a second level, so to speak (not straightforward, realistic, diegetical representation). All the representation is in quotation marks.
Also, it works like a Hal Foster strip where a meaning structure is set up ("sequencing the fuzz...the racket the moon makes!") and the panels illustrate the idea (a set of divergent panels is needed to convey the fractured, associative flow).
But, yep, super RR - in fact, I was telling my wife when I was making it that I didn't want to just end up with a pale imitation of Rauschenburg...
I think I could see that better if the text were on the piece itself... Actually, I think that could work really really well! That "title" seems to have six parts (separated by commas): were you intending a one-to-one corespondence with the six panels?
I was thinking about doing that, actually, but I couldn't get it to work visually. I'm working on another one right now, and we'll see where it goes...
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
I don't mind the green line at all--maybe, a la Duchamp with the Large Glass, you should just decree it's part of the work now.
ReplyDeleteI like the piece, though I'm not sure I can see the sequentiality. I think it's maybe because of the mixed media--I get more of an overall collage effect that makes me want to take in the whole piece at once. Or maybe it's the total change from panel to panel... But as a piece of art, is really cool.
ha! that is gorgeous!
ReplyDeleteThanks - I'm not sure it really is sequential. It's maybe comics because it uses comics' iconography or because of the mixture of text and imagery. I've been liking Spigelman's co-mix idea lately - it feels much more inclusive. I'm wondering if sequentiality is necessary for something to be comics (not "sequential art," but "comics."). But, then, maybe it's not "non-represenational." I don't know.
ReplyDeleteWell, it's very Rauschenbergian. So that if there is representation, it's basically at a second level, so to speak (not straightforward, realistic, diegetical representation). All the representation is in quotation marks.
ReplyDeleteAlso, it works like a Hal Foster strip where a meaning structure is set up ("sequencing the fuzz...the racket the moon makes!") and the panels illustrate the idea (a set of divergent panels is needed to convey the fractured, associative flow).
ReplyDeleteBut, yep, super RR - in fact, I was telling my wife when I was making it that I didn't want to just end up with a pale imitation of Rauschenburg...
"like a Hal Foster strip"
ReplyDeleteI think I could see that better if the text were on the piece itself... Actually, I think that could work really really well! That "title" seems to have six parts (separated by commas): were you intending a one-to-one corespondence with the six panels?
I was thinking about doing that, actually, but I couldn't get it to work visually. I'm working on another one right now, and we'll see where it goes...
ReplyDeleteMeaty.
ReplyDeletereally enjoy the roughness & spontaneous feeling of this one.
ReplyDeleteplaying with different size & shaped frames, perhaps overlapped or interpenetrating, would take me even further.
what do neurons look like when they're firing? some of the craziest looking works make me think of ideas like this.
if abstract comics/bds abstraites is an emerging genre, I'm looking forward to seeing more & more of the sub-genre of brutal, warped out abstracts.