I saw this great post over at Blog Flume about the beautiful abstractions in Steve Ditko's comics. These panels are just begging to be remixed into a full abstract comic! (HT: Paul Hornschemeier)
They're also talking about you guys at Comics Comics in the comments section here: http://comicscomicsmag.blogspot.com/2009/07/tossing-around-old-medicine-ball.html
Grant: yeah, as you'll notice, I commented on Ken's post... I don't know why I didn't think to put up a link here. Thanks for doing so! And now that you mentioned "remix," I think you're duty bound to do it! BTW, did you see the recent cover versions I've done of Mike G.'s strip? I think, in a way, they work exactly like your remix of LW&C but in reverse...
Gary: Wow, that's... kind of cool.
I see our own Warren Craghead has contributed to the discussion there (and what he says about abstract comics is dead on, of course). Now if I only could convince him to post on here too...
Sorry Andrei... you know I'm a communication flake.
I'm not as big a fan of ditko's shapes as "abstract comics" as the BF guy seems to be. They're just wacky things inside a regular comic. Like Fleener's use of cubism - on the surface only.
Don't get me wrong - I like Fleener too, but the "cubism" she uses is superficial and really has nothing to do with the content or mechanics of her stories. She does a good job of exploiting that fractured style for expression, but it's still just little windows with people moving around. Again, that's ok, it's just not a real use of what cubism can do in comics.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
They're also talking about you guys at Comics Comics in the comments section here: http://comicscomicsmag.blogspot.com/2009/07/tossing-around-old-medicine-ball.html
ReplyDeleteGrant: yeah, as you'll notice, I commented on Ken's post... I don't know why I didn't think to put up a link here. Thanks for doing so! And now that you mentioned "remix," I think you're duty bound to do it! BTW, did you see the recent cover versions I've done of Mike G.'s strip? I think, in a way, they work exactly like your remix of LW&C but in reverse...
ReplyDeleteGary: Wow, that's... kind of cool.
I see our own Warren Craghead has contributed to the discussion there (and what he says about abstract comics is dead on, of course). Now if I only could convince him to post on here too...
Sorry Andrei... you know I'm a communication flake.
ReplyDeleteI'm not as big a fan of ditko's shapes as "abstract comics" as the BF guy seems to be. They're just wacky things inside a regular comic. Like Fleener's use of cubism - on the surface only.
hey, i dig Fleener, she's got some cool shit!
ReplyDeleteDitko went kinda apeshit after he was
readin' Ayn Rand didn't he?
Question Man & all that, or something?
i always dug Ditko's awkward feet,
the strange angles of humans,
lizardman labcoat.
Don't get me wrong - I like Fleener too, but the "cubism" she uses is superficial and really has nothing to do with the content or mechanics of her stories. She does a good job of exploiting that fractured style for expression, but it's still just little windows with people moving around. Again, that's ok, it's just not a real use of what cubism can do in comics.
ReplyDelete