Hi! Here is Bira Dantas biradantas@globo.com I am a brazilian cartoonist and would like to say that these abstract comics are fantastic. I have done some non-sense comics, you can see here: http://www.paginasnonsense.blogger.com.br best wishes from Brazil
Grant--that's amazing! What volume/page is that from? I keep talking about how regular comics too can have an underlying abstract force, what I call their "sequential dynamism"--this is a clear demonstration of that notion.
Thanks Andrei! I had a feeling that you would like this.
This is from the Dark Horse reprints. Volume 1 page 176. This page was so much fun, I was thinking of doing all the duels from the book and making a mini of them.
I think Kojima's dense linework really lends itself to this kind of project.
Bira: I think the Sept 26 entry would be a good example of what Scott McCloud is talking about when he talks about non-sequiter transition
This is reallt great. Draw and I were talking about how this has a relationship to a work like Robert Rauschenberg's Erased DeKooning (where he takes a DeKooning drawing and erases it and that is the art). I really like what this has done to the "idea" of drawing - in the sense that rubbing out is traditionally seen as "not drawing" (as even the oppsite of drawing). Here this essential binary is reversed and the rub becomes the work itself, so to speak. You've "rubbed them out."
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
Hi!
ReplyDeleteHere is Bira Dantas
biradantas@globo.com
I am a brazilian cartoonist and would like to say that these abstract comics are fantastic.
I have done some non-sense comics, you can see here:
http://www.paginasnonsense.blogger.com.br
best wishes from Brazil
Grant--that's amazing! What volume/page is that from? I keep talking about how regular comics too can have an underlying abstract force, what I call their "sequential dynamism"--this is a clear demonstration of that notion.
ReplyDeleteThanks Andrei! I had a feeling that you would like this.
ReplyDeleteThis is from the Dark Horse reprints. Volume 1 page 176. This page was so much fun, I was thinking of doing all the duels from the book and making a mini of them.
I think Kojima's dense linework really lends itself to this kind of project.
Bira: I think the Sept 26 entry would be a good example of what Scott McCloud is talking about when he talks about non-sequiter transition
This is reallt great. Draw and I were talking about how this has a relationship to a work like Robert Rauschenberg's Erased DeKooning (where he takes a DeKooning drawing and erases it and that is the art). I really like what this has done to the "idea" of drawing - in the sense that rubbing out is traditionally seen as "not drawing" (as even the oppsite of drawing). Here this essential binary is reversed and the rub becomes the work itself, so to speak. You've "rubbed them out."
ReplyDeleteLovely work.