I really like the "surprise" of the last panel -- the slight turn out of symmetry. I can't remember which review Andrei recently posted of the anthology, but one of them contained an analysis of Alexey Sokolin's "Life, Interwoven" piece. The discussion talked about the regular progression of pages of six panels increasingly filled with different sorts of lines, breaking the panel boundaries and filling the page. The last page is a close-up of the previous page, but turned at a 45 degree angle. I mention it, because I think the final panel in this piece has a similar effect. The other panels create a protocol of two dimensional shapes coming together and the asymmetry of the last panel shifts viewer perspective into (the illusion of) 3D. It's a simple thing, but it packs a powerful punch.
Aaron, I am starting to pick up on your fascination with (and excellent exploration of) logical progression in abstract comics.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
oh man I really love this. It is so simple and logical.
ReplyDeleteI really like the "surprise" of the last panel -- the slight turn out of symmetry. I can't remember which review Andrei recently posted of the anthology, but one of them contained an analysis of Alexey Sokolin's "Life, Interwoven" piece. The discussion talked about the regular progression of pages of six panels increasingly filled with different sorts of lines, breaking the panel boundaries and filling the page. The last page is a close-up of the previous page, but turned at a 45 degree angle. I mention it, because I think the final panel in this piece has a similar effect. The other panels create a protocol of two dimensional shapes coming together and the asymmetry of the last panel shifts viewer perspective into (the illusion of) 3D. It's a simple thing, but it packs a powerful punch.
ReplyDeleteAaron, I am starting to pick up on your fascination with (and excellent exploration of) logical progression in abstract comics.
The whle run of images is great, but it's that punchline in the last frame which really impresses.
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