Jamie Alder (Bill Shut), "The Continuing Adventures of Flash Sage"
Here is one of the pieces that Jamie sent me a while ago. It was originally published in his minicomic "Tales Too Tough for TV" in 1979 (in issue no. 2, I think). When he sent it, Jamie wrote: "Flash Sage is a mutated anagram of splash page and is basically 9 splash pages and the story is an ongoing metamorphosis and whiten that the images go back and forth between concrete images and abstract. This one was inked by my brother Kelly Alder."
WoW. I haven't seen these pretty much since I worked on these with Jamie. It has been something like 30 years since we did them. I'm sure I have a copy of it packed away somewhere but where that somewhere is, is anybodies guess.
It's great to see Jamie's comix work getting this kind of exposure. It's just too bad he's not here to enjoy it. I'm really missing him, he really was an amazing older brother. Very supportive and nurturing. Art wasn't necessarily encouraged in our house but Jamie was always there to share and educate whatever it was he was into at the time.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
great seeing these, intense drawing!
ReplyDeleteBeautiful! Once again, it is a real shame.
ReplyDeleteDouble WOW!
ReplyDeleteWoW. I haven't seen these pretty much since I worked on these with Jamie. It has been something like 30 years since we did them. I'm sure I have a copy of it packed away somewhere but where that somewhere is, is anybodies guess.
ReplyDeleteIt's great to see Jamie's comix work getting this kind of exposure. It's just too bad he's not here to enjoy it. I'm really missing him, he really was an amazing older brother. Very supportive and nurturing. Art wasn't necessarily encouraged in our house but Jamie was always there to share and educate whatever it was he was into at the time.
Always loved Jamie's hand-drawn art, there should be an anthology (take note all you publishers). Happy Trails to an original!
ReplyDelete