Actually, there are a couple more abstract comics like this in Chaos. For the record, I wanted one of them--a color four-pager--for the anthology, but Fantagraphics could never reach an agreement with Mr. Giraud's representatives as to the pay rate (actually, they were not even in the same ballpark, or the same continent.) I then wanted to at least use one page from it, reproduced small, under fair use in the introduction, but Fanta suggested that, after the failed negotiations, that was not a good idea either.
I want to stress this because the lack of something by Moebius was something for which Jessie B., implicitly in that infamous du9 review, and Seb Conard explicitly, took me to task. Believe me, I tried really hard to get him in there.
Thanks, Tim, for issuing again the invitation to Francophone abstract comics artists to participate. We of course have Benoit Joly and Ibn al Rabin here, as well as Bruno Schab (though I haven't seen him around in a long time); but I of course would like to see more cooperation. I'm afraid that Jessie B.'s dyspeptic review--the only French-language review we have received, as far as I know--rather set back relations between the Anglophone and Francophone communities on this matter. Again, for the record: I offered at the time to discuss this situation in an interview with du9. I'm still waiting to hear back from them.
I hate it when a review is more about what isn't there than what is, as if those involved in putting the anthology together weren't constrained by a variety of concerns. On a brighter note, if important people weren't represented in that anthology, that means there is room and even mandate for another -- either a volume II or a "competing" anthology. Either would be good.
Well, I suppose some "competing anthology" could get Moebius--if it was funded by the Dia foundation, perhaps... Other than that, I have a hard time imagining it.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
This is very good. Totally visual. I've always enjoyed Moebius since his Heavy Metal stuff back in the 80's.
ReplyDeleteYeah, I really like this one.
beautiful. Moebius is amazing, as usual.
ReplyDeleteActually, there are a couple more abstract comics like this in Chaos. For the record, I wanted one of them--a color four-pager--for the anthology, but Fantagraphics could never reach an agreement with Mr. Giraud's representatives as to the pay rate (actually, they were not even in the same ballpark, or the same continent.) I then wanted to at least use one page from it, reproduced small, under fair use in the introduction, but Fanta suggested that, after the failed negotiations, that was not a good idea either.
ReplyDeleteI want to stress this because the lack of something by Moebius was something for which Jessie B., implicitly in that infamous du9 review, and Seb Conard explicitly, took me to task. Believe me, I tried really hard to get him in there.
Thanks, Tim, for issuing again the invitation to Francophone abstract comics artists to participate. We of course have Benoit Joly and Ibn al Rabin here, as well as Bruno Schab (though I haven't seen him around in a long time); but I of course would like to see more cooperation. I'm afraid that Jessie B.'s dyspeptic review--the only French-language review we have received, as far as I know--rather set back relations between the Anglophone and Francophone communities on this matter. Again, for the record: I offered at the time to discuss this situation in an interview with du9. I'm still waiting to hear back from them.
Schaub, not Schab, of course. Sorry for the misspelling.
ReplyDeleteVery interesting, this piece.
ReplyDeleteI hate it when a review is more about what isn't there than what is, as if those involved in putting the anthology together weren't constrained by a variety of concerns. On a brighter note, if important people weren't represented in that anthology, that means there is room and even mandate for another -- either a volume II or a "competing" anthology. Either would be good.
Well, I suppose some "competing anthology" could get Moebius--if it was funded by the Dia foundation, perhaps... Other than that, I have a hard time imagining it.
ReplyDelete