I think I like them all together, side by side. I admit to a completely arbitrary attraction to the black and white aesthetic in comics, which is mostly represented by the one on the far left. But I am fascinated by what happens with color on the far right -- the softness, the sense of depth, and the difference between the different discs is easier to see.
I'd be curious to see what a fourth iteration looked like that combines the black "inking" somehow with the color. I don't propose that as a necessarily "better," but as a kind of option that seems implied by the progression here.
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
I think I like them all together, side by side. I admit to a completely arbitrary attraction to the black and white aesthetic in comics, which is mostly represented by the one on the far left. But I am fascinated by what happens with color on the far right -- the softness, the sense of depth, and the difference between the different discs is easier to see.
ReplyDeleteI'd be curious to see what a fourth iteration looked like that combines the black "inking" somehow with the color. I don't propose that as a necessarily "better," but as a kind of option that seems implied by the progression here.