These give me more of a feeling of centeredness than your last post here. Even before I enlarged them to 400%, some of the panels gave me a feeling of looking into a rose or some sort of flower. I guess these speak to me because so much of the work that I've done over the decades have been symetrical drawings & paintings, and I know that having a symetrical drawing, painting or mandala on the wall pulls together the feeling of the room. Of course it is possible to create a symetrical drawing or painting that gives something of a disquieted feeling if that is what you want to express, as one finds that out in experimentation.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
there's a little more mystery in the 50% to my eye. how large are you printing these?
ReplyDeleteprobably 18"x54"
ReplyDeletei would actually do the 100% -- it seems more purposeful, even though the 50% is "prettier".
ReplyDeleteThese give me more of a feeling of centeredness than your last post here. Even before I enlarged them to 400%, some of the panels gave me a feeling of looking into a rose or some sort of flower.
ReplyDeleteI guess these speak to me because so much of the work that I've done over the decades have been symetrical drawings & paintings, and I know that having a symetrical drawing, painting or mandala on the wall pulls together the feeling of the room.
Of course it is possible to create a symetrical drawing or painting that gives something of a disquieted feeling if that is what you want to express, as one finds that out in experimentation.
They're both beautiful but I think I prefer the one on the left - 100%. I really like the contrast of the solid blacks overlapping the lighter tones.
ReplyDeleteI prefer 100%, I just keep looking at that one!
ReplyDeleteI prefer the left one as well, but I like them both a lot! To me, they feel like a progression of each other (page 1 @ 100%, page 2 @ 50%)
ReplyDelete100%
ReplyDelete