This looks like the spinodal decomposition to me (look for example at http://en.wikipedia.org/wiki/Spinodal_decomposition). Of course, the question is: what if we dance?
I enjoy following your blog and would like to thank all the contributors for their great work.
Thanks, MJ. Yeah, I can imagine it would be a bit puzzling, and I made it more as an experiment, or a taking of a certain tendency to an extreme, to see what would result. Basically, I wanted to make a strip where there is change from panel to panel, but because there is also strong texture, and the texture overall is similar, though the individual shapes are different, it reads like a unified page, or like stasis. So it's kind of like stasis in the middle of movement.
I added the first version, which looks a little bit like noodles (though it is all digitally rendered). I wasn't quite happy with it, and ended up turning up the contrast to pure b&w, then smoothing the shapes with median in PS, to come up with what I first posted (and also because, this way, it could serve as a page, possibly, in my sequel to "24 x 24").
Thanks for the link about Spinodal decomposition: the images they show there are quite beautiful, and, interestingly, that process of decomposition can very easily be paralleled, formally, through some operations in Photoshop--pretty much what I had done here.
I should add that each one of the panels was produced independently, but because the textures are so similar, the eye automatically starts to find continuities across the gutters, from panel to panel.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
Puzzling.
ReplyDeleteThis looks like the spinodal decomposition to me (look for example at http://en.wikipedia.org/wiki/Spinodal_decomposition). Of course, the question is: what if we dance?
I enjoy following your blog and would like to thank all the contributors for their great work.
Thanks, MJ. Yeah, I can imagine it would be a bit puzzling, and I made it more as an experiment, or a taking of a certain tendency to an extreme, to see what would result. Basically, I wanted to make a strip where there is change from panel to panel, but because there is also strong texture, and the texture overall is similar, though the individual shapes are different, it reads like a unified page, or like stasis. So it's kind of like stasis in the middle of movement.
ReplyDeleteI added the first version, which looks a little bit like noodles (though it is all digitally rendered). I wasn't quite happy with it, and ended up turning up the contrast to pure b&w, then smoothing the shapes with median in PS, to come up with what I first posted (and also because, this way, it could serve as a page, possibly, in my sequel to "24 x 24").
Thanks for the link about Spinodal decomposition: the images they show there are quite beautiful, and, interestingly, that process of decomposition can very easily be paralleled, formally, through some operations in Photoshop--pretty much what I had done here.
I should add that each one of the panels was produced independently, but because the textures are so similar, the eye automatically starts to find continuities across the gutters, from panel to panel.
ReplyDeleteThank you so much for this explanation.
ReplyDeletethe CahnHillariard animation is terrific as is the explantaion, which I can't get my mind around but add it anyway to my pleasures.
ReplyDelete