Levels. It's all about the levels. I love levels. Am purely fascinated by them, and I don't know why. How can one simple line drawn mean so many things? Or is it that the line doesn't mean anything in and of itself, but creates meaning in the spaces it creates simply by it's division (of them)? If somebody out there knows, please tell me because this piece is hypnotizing me with it's progressive levels. Is there a story in there somewhere? Or does it just feel like one because of its' pacing? Anyway, I like it more for it's symbolism and flow than for the technical expertise with which the lines are drawn. Not that I'd like it more if the lines were perfectly straight, I actually like that they bend and don't meet at the ends. It gives the levels less abstractness ... ?
I make a lot of abstract comics. I made a small book which you can find on facebook. Look for Ge Wasco. Look for my older posts. It looks a whole lot like your work. To me the levels you draw are more like horizons. The cages more like windows. Sometimes whwn you devide a cage horizontal the image becomes either two cages or a horizon with earth and sky.
I like this site a lot! Keep on keeping on.
WASCO
PS I would like to upload some of my stuf to this site. Is tahat possible?
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
Levels. It's all about the levels. I love levels. Am purely fascinated by them, and I don't know why. How can one simple line drawn mean so many things? Or is it that the line doesn't mean anything in and of itself, but creates meaning in the spaces it creates simply by it's division (of them)? If somebody out there knows, please tell me because this piece is hypnotizing me with it's progressive levels. Is there a story in there somewhere? Or does it just feel like one because of its' pacing? Anyway, I like it more for it's symbolism and flow than for the technical expertise with which the lines are drawn. Not that I'd like it more if the lines were perfectly straight, I actually like that they bend and don't meet at the ends. It gives the levels less abstractness ... ?
ReplyDeleteThis reminds me of Piet Mondrian.
ReplyDeleteHi, I,m Wasco
ReplyDeletefrom Amsterdam,
I make a lot of abstract comics.
I made a small book which you can find on facebook. Look for Ge Wasco. Look for my older posts. It looks a whole lot like your work.
To me the levels you draw are more like horizons. The cages more like windows. Sometimes whwn you devide a cage horizontal the image becomes either two cages or a horizon with earth and sky.
I like this site a lot! Keep on keeping on.
WASCO
PS I would like to upload some of my stuf to this site. Is tahat possible?
Hi Wasco--
ReplyDeleteemail me your stuff, I'll take a look at it. My email address is in my profile.