in times of neuronal or associative impasse, consider the impasse a wheel, when the spokes begin to speak the wheel will turn and crane will lay down another fish along the gilded path of bild:
the head is where abstraction takes place, also another word for head is
pen and pen-ultimate sounds like pen alternate or alter mater
the head alters matter
my humble imho viz scilicet
but course a wheel can find a near infinite range of beginnings when the pi is slived ever finer
the distance between the real the image once represented and what it is now is so surreal in technical historical terms it becomes a kind of philosophical substance you can find echoes of this kind of thing in Baudrillard for example though probably not the chic-est example.
the best thing to do is to let things 'speak in their own voices' but realize its your voice,
this photo captures a transitional moment between two layers of information, between the 'beginning' and 'end' of two scenes in a movie, a moment of 'forming' and 'unforming'
"Forming [...] is a gerund which means a verb that acts like a noun, or to put it pseudo-poetically: movement frozen. Besides the nerdiness factor, this is a beautiful way to describe a narrative that is literally about creation. It speaks to the infinite and eternal as belonging to the newly born. Or: action being stasis."
the action captured in this photo is interesting to me because it operates in an ambiguous or paradoxical space between motion and stasis - i understand there is 'movement' being captured, but it seems to movement through space and not time
mm the original post is successful in the sense that I find both of your blogs: http://phaneron.blogspot.com poetry, many of it http://blaiselarmee.blogspot.com thoughts on art (and a comic)
all art in a way asks the reader to invest in imagery as language. what sets comics apart is they put that language in a sequence. It sounds more like you are discussing the theory behind futurism.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
I don't understand.
ReplyDeleteActually, this is not related to abstract comics? Did you make this? Looks like it is a movie still with the spectator reflected.
ReplyDeleteyou must be young.
ReplyDeletein times of neuronal
or associative impasse, consider
the impasse a wheel, when the
spokes begin to speak
the wheel will turn
and crane will lay down
another fish along the
gilded path of bild:
the head is where abstraction takes place, also
another word for head is
pen
and pen-ultimate
sounds like
pen alternate
or alter mater
the head
alters matter
my humble
imho viz
scilicet
but course a wheel can find a near
infinite range of beginnings
when the pi is slived ever finer
the distance
between the real
the image once represented
and what it is now
is so surreal in technical historical
terms it becomes a kind of
philosophical substance
you can find echoes of this
kind of thing in Baudrillard
for example though probably
not the chic-est example.
the best thing to do
is to let things
'speak in their own voices'
but realize its your voice,
every referent
a mirror
in the end
in a world of
monopsyschism.
Yes, Blaise, can you please explain? Often it's hard to fathom the relevance of your posts to the purpose of this blog.
ReplyDeleteyes, of course
ReplyDeletethis photo captures a transitional moment between two layers of information, between the 'beginning' and 'end' of two scenes in a movie, a moment of 'forming' and 'unforming'
JT Rogstad writes,
"Forming [...] is a gerund which means a verb that acts like a noun, or to put it pseudo-poetically: movement frozen. Besides the nerdiness factor, this is a beautiful way to describe a narrative that is literally about creation. It speaks to the infinite and eternal as belonging to the newly born. Or: action being stasis."
the action captured in this photo is interesting to me because it operates in an ambiguous or paradoxical space between motion and stasis - i understand there is 'movement' being captured, but it seems to movement through space and not time
*but it seems to move through space and not time
ReplyDelete@Robukka did i answer your question re 'did you make this'
@phaneronoemikon nice
mm the original post is successful in the sense that I find both of your blogs:
ReplyDeletehttp://phaneron.blogspot.com poetry, many of it
http://blaiselarmee.blogspot.com thoughts on art (and a comic)
William Hurt,
ReplyDeleteand Lauren Hutton?
I really like this as an abstraction, and totally get where you're coming from -- but does it count as a 'comic'?
ReplyDeleteI'm not saying it doesn't... just asking the question.
comics ask the reader to invest into its reality as a language - it is up to the reader to decide for him/herself what constitutes this language
ReplyDeletefor me, i guess the line down the center of the picture resembles the fold of a book (the title is 'fold.jpg'), an 'interior horizon'
it reminds me of this illustration: 'hypersurface'
@phaneronoemikon i forget who the actors are
ReplyDeleteall art in a way asks the reader to invest in imagery as language. what sets comics apart is they put that language in a sequence. It sounds more like you are discussing the theory behind futurism.
ReplyDeleteis family circus a comic
ReplyDeletefuturism is in the air it's the 100th anniversary this year
ReplyDelete