exactly! interesting how in digital work there's easily an unmistakable hand of the software just as there used to be a hand of the maker. there was something about the spaces between the configurations of your sketch that made me want to explore this kind of connect- disconnect among frames, reading every which way.
wow, this is very different from other work, rapp, and I really like it. The interconnectiveness zooms along, with terrific punctuations: the black square, the four black dots in a curve at the top, the black square with centered red dot. The squares stop the action before it goes flying off again.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
That's nice! I'm curious, it almost looks like you made part of that with this: http://www.jacksonpollock.org. Am I guessing right?
ReplyDeleteexactly!
ReplyDeleteinteresting how in digital work there's easily an unmistakable hand of the software just as there used to be a hand of the maker.
there was something about the spaces between the configurations of your sketch that made me want to explore this kind of connect- disconnect among frames, reading every which way.
wow, this is very different from other work, rapp, and I really like it. The interconnectiveness zooms along, with terrific punctuations: the black square, the four black dots in a curve at the top, the black square with centered red dot. The squares stop the action before it goes flying off again.
ReplyDeleteThanks! I was trying in that sketch to move away from the regular grid I've used before. I'm glad it proved inspiring (and so fast!).
ReplyDelete