The tension between surface and depth is really interesting here. Seen side by side, the panels (pages?) seem like letters to me and the whole seems like a word. I don't know what word, but a colorful word. Taken together, all of these tensions (flatness/perspective, red/green, legibility/shape) make the piece seem to shimmer.
Love your comic. Wish I knew what it meant. To me it gives me a pleasure similar to looking at architecture. I love it. The green and red suggest 'craftsman' colors but the blockish shapes suggest buildings instead of homes. I like how they can be blocks, or buildings, or letters, or ...(I'm still seeing things) because it has this weird escheresque 3 dimensionality to it. I can't tell what's in front of what and I like it like that. I also love how I can rotate it all kinds of ways to see more stuff.
Thanks Chris! I planned to make this piece with just red and gray but when I was working on it, I saw something alive in there so I used the complimentary green.
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
it'd be nice to see these on a single page to be able to actually see the interconnections...
ReplyDeleteYeah, you're right - so now it's posted with the pages in a row.
ReplyDeleteThe tension between surface and depth is really interesting here. Seen side by side, the panels (pages?) seem like letters to me and the whole seems like a word. I don't know what word, but a colorful word. Taken together, all of these tensions (flatness/perspective, red/green, legibility/shape) make the piece seem to shimmer.
ReplyDeleteThanks Bungy! That is an interesting way of looking at it.
ReplyDeleteI've been making some typography-comic pieces lately (like this gig flier) so maybe that unintentionally carried over into this one.
i really like these works together, it seems like you keep losing your orientation in it and i like it when i can travel back and forth. Supercool.
ReplyDeleteThanks nina! On this particular comic I was thinking more abstract than usual in every sense, even regarding the sequence.
ReplyDeleteLove your comic. Wish I knew what it meant. To me it gives me a pleasure similar to looking at architecture. I love it. The green and red suggest 'craftsman' colors but the blockish shapes suggest buildings instead of homes. I like how they can be blocks, or buildings, or letters, or ...(I'm still seeing things) because it has this weird escheresque 3 dimensionality to it. I can't tell what's in front of what and I like it like that. I also love how I can rotate it all kinds of ways to see more stuff.
ReplyDeleteThanks Anonymous! That's a really enjoyable way of looking at it, to see new things as you look at it in different ways... Even I'm doing that.
ReplyDeleteGreat work Mike!I particularly like the color choices, really made my eye bounce around the page and look at it from many different angles
ReplyDeleteThanks Chris! I planned to make this piece with just red and gray but when I was working on it, I saw something alive in there so I used the complimentary green.
ReplyDelete