nice. seems like a set of Shojis. my one question, if i were to have one, or i guess the only puncta i don't weave immediately, is the simply tonal reversion of the center piece, when a unique individual could have been made. these seem like they would be pleasureful to make. oR I would have made the two end ones the same but had the center be different, but now that i think of it like that, i like the way it is already as it seems more wabi sabi.
The second panel is not merely a negative of the first. Basically, I created a pattern using black shapes and white shapes. The first panel is with a white background, disguising the white shapes. The second is with a black background, disguising the black shapes. The third is with all shapes outlined. It is meant to draw on the role negative and positive space play in the way we see and interpret an image.
Cool. I love how when you click on them you can get the extreme close up. These can be so many things to me, from microscopic bugs, to birds, to stars. I like getting lost in the scale. I like how the repeating pattern within each frame gives it motion and 3 dimensionality. It seems to move in a metamorphic way. =)
The first and most comprehensive source of abstract comics on the web, tracing the history and surveying the contemporary landscape of abstract sequential art.
On Abstract Comics: The Anthology (Currently SOLD OUT):
The artists assembled by Andrei Molotiu for his anthology ABSTRACT COMICS (Fantagraphics, $39.99) push “cartooning” to its limits... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions: anyone who’s used to reading more conventional sorts of comics is likely to reflexively impose narrative on these abstractions, to figure out just what each panel has to do with the next.
--Douglas Wolk, New York Times Book Review, Holiday Books edition, December 6, 2009 The collection has a wealth of rewarding material... it is a significant historical document that may jump-start an actual new genre.
--Doug Harvey, LA Weekly It becomes a treat to take a page of art - or a simple panel - and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can - with the graphic form - be translated into something completely different.
--Adam Waterreus, Politics and Prose, "Favorite Graphic Literature of the Year."
...this arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers.
--Design Observer
For years, comics (at least American ones) have doggedly refused for one reason or another, to consider other schools of art and beyond mere representation. It's only now we see artists attempting to branch out and try to push at the edge's of the medium's definition. As such I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I'll be sure to be rereading in the months to come.
nice. seems like a set of Shojis.
ReplyDeletemy one question, if i were to have one, or
i guess the only puncta i don't weave
immediately, is the simply tonal reversion
of the center piece, when a unique individual
could have been made. these seem like they
would be pleasureful to make. oR I would have
made the two end ones the same but had the
center be different, but now that i think
of it like that, i like the way it is
already as it seems more wabi sabi.
ontic, unnecessary or random
This comment has been removed by the author.
ReplyDeleteThe second panel is not merely a negative of the first. Basically, I created a pattern using black shapes and white shapes. The first panel is with a white background, disguising the white shapes. The second is with a black background, disguising the black shapes. The third is with all shapes outlined. It is meant to draw on the role negative and positive space play in the way we see and interpret an image.
ReplyDeleteCool. I love how when you click on them you can get the extreme close up. These can be so many things to me, from microscopic bugs, to birds, to stars. I like getting lost in the scale. I like how the repeating pattern within each frame gives it motion and 3 dimensionality. It seems to move in a metamorphic way. =)
ReplyDelete