Tuesday, October 27, 2009
this is a photo of a frame full of penjing (Chinese miniature tree and rock landscapes), by Cao Hua, which was part of an exhibition by the Singapore Penjing and Stone Appreciation Society. (scanned from the book Bonsai Master Class, by Craig Coussins [D & S Books, 2006]).
which way does the energy flow in this composition? is there a sequence, comparable to abstract comics?
there's a sensibility in Asian artforms such as penjing, bonsai, bunjae, gongshi, hon non bo, tieu canh, suiseki & so on, which could be incorporated into abstract comics.
a quote from Craig Coussins, comparing bonsai to penjing:
it is generally thought in the West that if a styling is an abstract form, as opposed to a recognized form, the tree is a penjing.